Cranes - 5 Albums 1991 - 2002 [FLAC] [h33t] - Kitlope

Cranes are a British music group formed in 1986, whose style has been described as "gothic minimalism".


Formed in 1986 in Portsmouth, England by siblings Alison and Jim Shaw,[1] and named after the many mechanical cranes around the city's docks, Cranes are best known for the childlike, high-pitched vocals of lead singer Alison.

The band's first release was the self-financed Fuse cassette.[1] They recorded the Self Non Self mini-LP in 1989, which led to them recording their first of two sessions for John Peel's BBC Radio 1 show.[2][3] They then to the BMG offshoot Dedicated Records in 1990.[1] With the addition of Mark Francombe and Matt Cope (both guitar), they released a series of EPs in 1990 and 1991 that preceded their debut full-length album, Wings of Joy, which reached number 52 on the UK Albums Chart.[1] Following a general softening of their sound, the introduction of pop elements to their music, and a world tour with The Cure in 1992, the band's popularity increased, and peaked with the release of the album Forever (UK #40), which contained their biggest hit single, "Jewel" (UK #29).[1]

The band fell silent for a period of approximately four years after the release of Population 4 in 1997, and the subsequent closure of Dedicated, with the original line-up breaking up.[4] In 2000, the Shaws formed a new line-up and began writing music again, and released Future Songs and Particles and Waves on their own label, Dadaphonic.[4] These albums signified a change in the overall style of their music, emphasising its ambient, ethereal qualities. Despite heading in a more electronic direction, however, the band's music continued to revolve around Alison Shaw's distinctive singing. In 2002 the band again supported The Cure, at Hyde Park and several European festivals

The band's music has been described as "gothic minimalism", although the band themselves disputed the 'gothic' tag.[1][5] They have also been described as dream pop.[5] In the early 1990s they were briefly lumped in with the "shoegazing" bands of the era.[1]

Much has been made of Alison Shaw's vocals, with descriptions ranging from "the helium tones of a small child",[6] "baby-doll-voiced",[7] and "a mewling, childish wisp of a voice".[8] One reviewer described the band: "Imagine a small child singing lullabies at the bottom of the well with a background of grinding guitars".