Artist: Gorillaz Title: Humanz (Deluxe) Year Of Release: 2017 Label: Parlophone UK Genre: Electronic, Hip-Hop, Pop Quality: 24bit-96kHz FLAC Total Time: 01:08:54 Total Size: 1.52 GB
Tracklist:
01. Intro: I Switched My Robot Off (0:23) 02. Ascension (feat. Vince Staples) (2:35) 03. Strobelite (feat. Peven Everett) (4:32) 04. Saturnz Barz (feat. Popcaan) (3:01) 05. Momentz (feat. De La Soul) (3:17) 06. Interlude: The Non-conformist Oath (0:21) 07. Submission (feat. Danny Brown & Kelela) (3:21) 08. Charger (feat. Grace Jones) (3:35) 09. Interlude: Elevator Going Up (0:02) 10. Andromeda (feat. D.R.A.M) (3:17) 11. Busted and Blue (4:28) 12. Interlude: Talk Radio (0:20) 13. Carnival (feat. Anthony Hamilton) (2:15) 14. Let Me Out (feat. Mavis Staples & Pusha T) (2:57) 15. Interlude: Penthouse (0:10) 16. Sex Murder Party (feat. Jamie Principle & Zebra Katz) (4:18) 17. She's My Collar (feat. Kali Uchis) (3:30) 18. Interlude: The Elephant (0:09) 19. Hallelujah Money (feat. Benjamin Clementine) (4:25) 20. We Got the Power (feat. Jehnny Beth) (2:18)
Deluxe CD Bonus Tracks
21. Interlude: New World (1:23) 22. The Apprentice (feat. Rag'n'Bone Man, Ray BLK, Zebra Katz) (3:55) 23. Halfway To The Halfway House (feat. Peven Everett) (3:57) 24. Out Of Body (feat. Imani Vonsha, Kilo Kish, Zebra Katz) (3:44) 25. Ticker Tape (feat. Carly Simon, Kali Uchis) (4:29) 26. Circle of Friendz (feat. Brandon Markell Holmes) (2:11)
“It’s America that made Gorillaz,” Damon Albarn said recently. The animated band’s four albums have so far sold 16m copies worldwide – more than Blur – and that’s largely thanks to America’s warm embrace. Perhaps by way of thanks, this long-awaited fifth album is about America going to hell.
The lawless, world-altering scenario ‘Humanz’ presents us with is not a poorly attended inauguration but a massive, cross-genre party, composed largely on an iPad by Albarn and illustrated by his mate Jamie Hewlett. Taking a look at the album’s futuristic floor-fillers leads to the standout ‘Momentz’, where De La Soul give hangover advice over a strict marching beat, wriggling synths and a massive, jolting mantra. Or ‘Charger’, where Grace Jones bares some sphinx-like teeth over a distorted two-note line to declare “I am the ghost / I am the soul / I’m gonna take you for a ride/ No antennas,” while Albarn’s bewildered vocals splutter out in flouncy dribs and drabs. So strange, it’s fantastic.
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