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(JazzPlanet) Michael Brecker - Don`t Try This At Home (Eac S Flac Cue)(UF)

Torrent: (JazzPlanet) Michael Brecker - Don`t Try This At Home (Eac S Flac Cue)(UF)
Description:


Michael Brecker - Don't Try This At Home







Artist: Michael Brecker
Title: Don`t Try This At Home
Release Date: 9/6/1988
Label Impulse!
Orig Year 1988
Genre: Jazz
Styles: Crossover Jazz, Post-Bop, Fusion
Source:Original CD


Extractor: EAC 0.99 prebeta 4
Used drive : HL-DT-STDVDRAM GSA-E10L
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 1)
Size Torrent: 311 Mb
Cover Included



Tracks:

1. Itsbynne Reel (It's Been Real) (MB / Don Grolnick)
2. Chime This (Don Grolnick)
3. Scriabin (Vince Mendoza)
4. Suspone (MS)
5. Don't Try This at Home (MB / Don Grolnick)
6. Everything Happens When You're Gone (MB)
7. Talking to Myself (Don Grolnick)
8. The Gentleman & Hizcaine (Jim Beard)



Personnel:

Michael Brecker (12345678) - tenor saxophone, Akai EWI
Mike Stern (12 45 78) - guitar
Don Grolnick (12 7 ) - piano
Charlie Haden (123 56 ) - acoustic bass
Jeff Andrews (1 4 78) - fretless electric bass
Jack DeJohnette (1 3 5 8) - drums
Mark O'Connor (1 ) - violin
Adam Nussbaum ( 2 4 6 ) - drums
Herbie Hancock ( 3 5 ) - piano
Joey Calderazzo ( 4 6 8) - piano, synthesizer (only on 8)
Judd Miller ( 5 ) - synthesizer programming
Peter Erskine ( 7 ) - drums
Jim Beard ( 7 ) - synthesizers




Listen to sample

http://www.amazon.com/gp/recsradio/radio/B000002PI7/ref=pd_krex_dp_a

http://www.youtube.com/watch?v=wSZsJm3F_jU&feature=related

http://www.youtube.com/watch?v=PFrDjC1FlLg&feature=PlayList&p=66F11A3065E58102&playnext_from=PL&playnext=1&index=31

http://www.youtube.com/watch?v=GzsEyCo9Ocg




Review

Michael Brecker’s incredibly assured debut as a leader is a hard act to follow, but Don’t Try This at Home (issued on the Impulse label) is a worthy followup. As before, Brecker achieves an artful balance of complex songforms/orchestrations and fiery soloing. This date definitely stands up to repeated listening.

Although the EWI (Electronic Wind Instrument) is not the equal of a saxophone in terms of expressiveness, Brecker continues to find appropriate uses for it on Don’t Try This at Home.

On Itsbynne Reel, it’s surprising how well the EWI lends itself to the Irish flavor of the tune. Using Irish music an an ingredient in fusion is a fresh approach and works beautifully here. Similarly, Michael Brecker’s EWI finds a suitable expression in the warped melody of the “I Got Rhythm” based changes of Mike Stern’s composition Suspone. Brecker wisely plays tenor for his solo.

Don’t Try This At Home is Brecker’s EWI feature, the equivalent of Original Rays on Brecker’s debut date. Again, it starts out with a duet between Jack DeJohnette’s drums and the EWI, but this time, a droning synthesizer countermelody programmed by Judd Miller insinuates itself. In the next section, we get an enigmatic melody over a Escher staircase of chords with an unusual traveling bass line. It’s rather abstract but still very accessible. It’s definitely one of the high points of Don’t Try This at Home, but hardly the only one.

Part of the general high quality of Don’t Try This at Home is due to the compositions. As a composer, it must have been tough to be Randy Brecker’s brother, but Michael had nothing to be ashamed of — he was an excellent composer in his own right. But look who else contributes tunes: Don Grolnick, Mike Stern, and Jim Beard, accomplished tunesmiths all.

Chime This, a Don Grolnick composition, is hard to describe, but it’s got several memorable melodies and a structure that is anything but obvious, but in no way obscure.

Everything Happens When You’re Gone is a ballad, but lacks the saccharine sentimentality that is Brecker’s worst enemy. Michael Brecker the composer is often Michael Brecker the saxophonist’s best friend, and that is definitely the case here. Everything Happens When You’re Gone has a long-limbed structure that gradually builds to some earned emotion, for a change. It’s a great ballad and one of Brecker’s best tunes.

Jim Beard’s playful The Gentleman & Hizcaine is another tune with an Irish flavor. With arpeggios and a staggered rhythm, it captures the old man’s progress as he makes his way unsteadily up a cobblestone path. The tune makes it clear that while the old man’s body may have become rickety, his mind remains razor sharp.

Indeed, when the weakest tune on a recording is Vince Mendoza’s ballad Scriabin, you’ve got a heck of a strong set of compositions, stronger actually than Brecker’s debut. I’d say that the writing on Don’t Try This at Home represents a pinnacle in modern jazz composition.

The musicianship is up to the demands of the tunes, too. On drums, besides DeJohnette, we’ve got Adam Nussbaum and Peter Erskine; on bass, Charlie Haden or Jeff Andrews; on guitar, Mike Stern; on keys, Don Grolnick, Herbie Hancock, Jim Beard, and Joey Calderazzo. You might think that Joey Calderazzo might be the weak link, but no, he holds his own with these giants.

Really, it’s hard to think of anything bad to say about Don’t Try This at Home. It’s greatness doesn’t reach out and grab you by the throat, but it’s rich and deep. There’s a lot here. You can listen to Don’t Try This at Home at many different levels, from background music all the way to transcribing the music — it’s rewarding any way you slice it.
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Michael Brecker's second album as a leader is almost the equal of his first. Surprisingly, only one song ("Suspone") uses his working quintet of the period (which consists of guitarist Mike Stern, pianist Joey Calderazzo, bassist Jeff Andrews and drummer Adam Nussbaum) although those musicians also pop up on other selections with the likes of pianists Don Grolnick and Herbie Hancock, bassist Charlie Haden, drummer Jack DeJohnette and violinist Mark O'Connor. Brecker (on tenor and the EWI) is in superb form, really ripping into the eight pieces (mostly group originals).

Grace Paley. The award-winning author and social activist was once asked If she taught her students to write about what they know. "No", she answered, "I teach them to write what they don't know about what they know".

It Is precisely this quality of exploration of stretching out Into new uncharted territory that characterizes the work of tenor saxophonist Michael Brecker on Don't Try This At Home, his second solo recording for Impulse' Searching probing, absorbing, experimenting analyzing-Brecker Is In a constant state of artistic reflection and expansion.

Never mind that he already possesses one of the most formidable arsenals of skills of any saxophonist In contemporary music a luminous full-bodied tone that Is unmistakably Brecker In any context a consistent technlgue that enables him to perform swirling melodies dense harmonies, laggered rhythmic punctuations and complex contrapuntal lines with grace and agility a veteran painters sense of texture, shading and balance chops galore no use the musical vernacular), and, perhaps most Importantly, exemplary taste and sensitivity together with an unerring knack for capturing the essence of each composition he performs Never mind that his remarkable diversity has enabled him to perform with equal skill and conviction alongside such artists as Horace Silver. Frank Zappa. Chick Corea John Lennon. Jen! Mitchell Herble Hancock Dire Straits Cameo James Taylor Steely Dan. Claus Ogerman. George Clinton and hundreds more during the past 15 years.

And never mind that as a soloist, ensemble player and composer, he Is fast becoming one of the most Influential and Imitated saxophomsts In jazz Because for all of his gifts and accomplishments. Michael Brecker remains a work In constant progress - a song without a coda.

Breckers 1987 Impulse' debut, Michael Brecker, featuring guitarist Pat Metheny keyboardist Kenny Kirkland bassist Charlie Haden and drummer Jack DeJohnette. quickly rose to the top of national jazz charts, earned effusive critical praise, and garnered Best Jazz Album of the Year awards In Down Beat and Jazziz as well as a Grammy Award nomination for the same.

What made Michael Brecker such a rewarding effort was both the creative breakthrough It represented and the almost limitless promise It held for the future Freed from the often rigorous constraints that all studio session musicians must contend with and given carte blanche to follow his muse Brecker produced a project that bristled with the Intensity and excitement of an artist revelling In the heady spirit of artistic liberation.

Upon the release of his eponymous debut recording the 39 year old saxophonist promptly formed a hot band featuring guitarist Mike Stern bassist Jeff Andrews, drummer Adam Mussbaum and rising young piano talent Joey Calderazzo This quintet hit the road In the Spring of 87 for extensive tours of Europe Japan and the U.S.

Now, one year later Don't Try This At Home solidly reaffirms that Michael Brecker Is continuing his quest to claim new, untouched musical territory Says Brecker It was exhilarating to explore unfamiliar ground while making a record.

What was Initially unfamiliar to Brecker should be welcomed by discriminating music lovers everywhere Armed once again with his trusty Selmer saxopohone and the Akal EVVI I a revolutionary eight octave electronic wind Instrument) Brecker has produced a refreshing richly diverse recording.

Indeed each of the eight tracks on Don't Try This At Home strike a fine balance between fire and finesse, pithy ensemble work and free-wheeling Improvisations With wonderfully empathlc contributions from drummer DeJohnette bassist Haden. pianists Hancock and Grolmck. pianist-synthesizer player Jim Beard, the members of his tou ring band ( making their record debut as an nit here) and - on one track each - viol In 1st Mark 0 Connor and synthesizer programmer Judd Miller Brecker equals and frequently surpasses, the excellence of his maiden recording from last year.

The opening selection Itsbynne Reel begins with a vigorous traditional Irish reel-cum-bluegrass duet between Brecker on EWI and violinist O'Connor before leading Into a driving, harmonized vamp that features what Is arguably the best sax solo of Breckers recording career There are seven other equally adventurous tracks, ranging from the forlorn yet ultl mately begu illng mood piece Scriabin, to the unfettered. "I Got Rhythm" - Inspired swing of "Suspone," and the poignant balladry of "Everything Happens When Youre Gone."

Says Brecker "We tried to stay away from obvious devices, and hoped to make a record that bears repeated listenings." Happily, with Don't Try This At Home, he has done just that

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Category: Music/Lossless
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Added: 2010-06-21 17:23:49
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