Maria Schneider Orchestra Data Lords 2020 - ArtistShare: AS0176 https://www.artistshare.com/Projects/Experience/1/510/1/Maria-Schneider-Data-Lords https://www.artistshare.com/projects/experience/?artistID=1&projectId=510 https://www.mariaschneider.com/home/albuminfo?id=1083 https://mariaschneider.bandcamp.com/album/data-lords https://en.wikipedia.org/wiki/Data_Lords
* Maria Schneider : conductor * Steve Wilson : alto saxophone, soprano saxophone, clarinet, flute, alto flute * Dave Pietro : alto saxophone, clarinet, flute, alto flute, piccolo flute * Rich Perry : tenor saxophone * Donny McCaslin : tenor saxophone, flute * Scott Robinson : Bb clarinet, bass clarinet, contrabass clarinet, baritone saxophone, muson * Tony Kadleck : trumpet, flugelhorn * Greg Gisbert : trumpet, flugelhorn * Nadje Noordhuis : trumpet, flugelhorn * Mike Rodriguez : trumpet, flugelhorn * Keith O’Quinn : trombone * Ryan Keberle : trombone * Marshall Gilkes : trombone * George Flynn : bass trombone * Gary Versace : accordion * Ben Monder : guitar * Frank Kimbrough : piano * Jay Anderson : bass * Johnathan Blake : drums, percussion
https://www.mariaschneider.com/ https://en.wikipedia.org/wiki/Maria_Schneider_(musician) https://www.allmusic.com/artist/maria-schneider-mn0000269285
CD1: “The Digital World ” CD2: “Our Natural World ”.
Recorded at Oktaven Audio, Mount Vernon, New York, USA, on August 30th – September 2nd, 2019.
Engineered by Brian Montgomery. Assisted by Charles Mueller and Edwin Huet.
Our barter with Big Tech: Tax that! By Maria Schneider https://www.startribune.com/our-barter-with-big-tech-tax-that/568092192/
Reviews
By J.D. Considine https://jazztimes.com/features/lists/year-in-review-top-40-new-jazz-releases-2020-10-1/nggallery/image/1-mso_data_lords_cover_highest_res-copy/
By now, jazz fans have come to expect marvels from Maria Schneider, but the scale and magnificence of Data Lords is exceptional even for her. A concept album split into two spheres, it wrestles with the key conflict of our time: the alluring, empty promises of “The Digital World” versus the calming, nourishing beauty of “The Natural World.” It’s not hard to guess which side Schneider is pulling for, but this is less a polemic than a portrait, and the soundscapes she paints are as wonderfully detailed as any she’s composed. Even as “Don’t Be Evil” evokes Google’s techno-menace through towering trumpets and growling bass trombone, it’s hard not to be awed by the beauty of the writing. Likewise, it’s both thrilling and horrifying to hear Mike Rodriguez’s electronically altered trumpet solo portray the transformation of AI from useful servant to uncaring data lord. On the second disc, Schneider’s richly colored writing escorts us through the grounds of a Buddhist temple in “Sanzenin” and captures the drama of avian life in “Bluebird.” Whether conjuring forests and fields or circuits and cities, Data Lords stands as a pointed reminder of just how much can be said with a jazz orchestra.
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By Thom Jurek https://www.allmusic.com/album/data-lords-mw0003348193
By John Fordham https://www.theguardian.com/music/2020/jul/24/maria-schneider-orchestra-data-lords-review https://www.theguardian.com/music/2020/dec/21/the-10-best-jazz-albums-of-2020
By Karl Ackermann https://www.allaboutjazz.com/data-lords-maria-schneider-orchestra-artist-share
By Doug Hall https://www.allaboutjazz.com/data-lords-maria-schneider-artist-share
By Jerome Wilson https://www.allaboutjazz.com/data-lords-maria-schneider-orchestra-artist-share__7447
By Friedrich Kunzmann https://www.allaboutjazz.com/data-lords-maria-schneider-artist-share__6079
By George W. Harris https://www.jazzweekly.com/2020/08/maria-schneider-orchestra-data-lords/
By S. Victor Aaron https://somethingelsereviews.com/2020/07/31/maria-schneider-orchestra-data-lords-2020/
By Raul Da Gama https://jazzdagama.com/music/maria-schneider-orchestra-data-lords/
Leif Carlsson (se) https://www.lira.se/skivrecension/data-lords/
Da Angelo Leonardi (it) https://www.allaboutjazz.com/data-lords-maria-schneider-artist-share__20986 |
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