Artist...............: Miles Davis and Marcus Miller Album................: Siesta Genre................: Jazz Source...............: CD Year.................: 1987 Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec................: Free Lossless Audio Codec (FLAC) Version..............: reference libFLAC 1.2.1 20070917 Quality..............: Lossless, (avg. compression: 46 %) Channels.............: Stereo / 44100 HZ / 16 Bit Tags.................: VorbisComment Information..........: TntVillage
Ripped by............: Leonenero on 08/10/2016 Posted by............: Leonenero on 08/10/2016 News Server..........: news.astraweb.com News Group(s)........: TntVillage
Included.............: NFO, MD5, M3U, LOG, CUE Covers...............: Front Back CD
--------------------------------------------------------------------- Tracklisting ---------------------------------------------------------------------
1. Miles Davis and Marcus Miller - Los Feliz [04:35] 2. Miles Davis and Marcus Miller - Lost in Madrid Part 1 [01:48] 3. Miles Davis and Marcus Miller - Siesta - Kitt's Kiss - Lost in Madrid Part 2 [06:54] 4. Miles Davis and Marcus Miller - Theme for Augustine - Wind - Seduction - Kiss [06:33] 5. Miles Davis and Marcus Miller - Submission [02:32] 6. Miles Davis and Marcus Miller - Lost in Madrid Part 3 [00:49] 7. Miles Davis and Marcus Miller - Conchita - Lament [06:44] 8. Miles Davis and Marcus Miller - Lost in Madrid Part 4 - Rat Dance - The Call [01:41] 9. Miles Davis and Marcus Miller - Claire - Lost in Madrid Part 5 [04:33] 10. Miles Davis and Marcus Miller - Afterglow [01:41]
Playing Time.........: 37:54 Total Size...........: 180,04 MB
This collaboration between Miles Davis and producer Marcus Miller (who, except for some cameos, plays all of the other instruments) is quite successful and a bit of a surprise since it is essentially a soundtrack to an obscure film. Dedicated to arranger Gil Evans, the music is greatly influenced by his style with Miller creating an electrified but very warm orchestra to accompany Davis ' melodic solos. This was the first of several instances in which Miles Davis, in the twilight of his life, returned to his roots.
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