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Video Information
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Type.................: Movie
File Validation......: SHA-256 HASH
Title................: My Name Aint Suzie, "Fa gai si doi" (original title), "Hua jie shi dai" (Mandarin title)
Studio...............: Shaw Brothers
Actors...............: Pat Ha, Deannie Ip, Anthony Chau-Sang Wong
Directors............: Angela Chan
Writers..............: Koon-Chung Chan
Genre................: Drama
Release Date.........: 24 October 1985 (Hong Kong)
Duration.............: 01:36:22 (per actual main feature)
Rated................: Not Rated
Cover(s) Included....: No
Language.............: Chinese (Cantonese)
Subtitles............: Chinese, English, Malay, Indonesian
Resolution...........: 480p @ 16x9 (Letterbox)
Source...............: Original Retail OOP Indonesian LD Disc
IMDb Information.....: https://www.imdb.com/title/tt0089651/
IMDb Rating..........: 6.6
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Encoding/Bitrate Information
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Format : MPEG-4
Overall bit rate : 1 582 kb/s
Video
Format : AVC
Format settings, CABAC : Yes
Format settings, Reference frames : 8 frames
Bit rate : 1 464 kb/s
Width : 718 pixels
Height : 464 pixels
Display aspect ratio : 1.85:1
Frame rate mode : Variable
Frame rate : 29.970 FPS
Minimum frame rate : 14.985 FPS
Maximum frame rate : 29.970 FPS
Bit depth : 8 bits
Scan type : Progressive
Writing library : x264 core 157 r2935 545de2f
Audio
Format : AAC LC
Bit rate mode : Constant
Bit rate : 96.0 kb/s
Channel(s) : 2 channels
Sampling rate : 48.0 kHz
Title : Stereo
Language : Chinese
Default : Yes
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SHA-256: 60d6aeeef4bdf7c70d1ddb24566fcbf35f4194c5d616d5b0b06754930c745e6a
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Reviews/Synopsis
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Please go to the following website for detailed information:
https://www.easternkicks.com/reviews/my-name-aint-suzie
The Suzie in the title refers to The World Of Suzy Wong, a great novel by British author Richard Mason which was made into a terrible Hollywood movie in 1960. Like Suzy, Shu Mei goes to work in a bar in Wanchai around the late 1950s, where sailors and foreign money are plentiful.
My Name Ain’t Suzie is a gem in the history of Hong Kong as well as international cinema, even though it remained overlooked for far too long.
Due to the conflict between film director Angie Chen and Shaw Brothers executives concerning the content of the film, it received insufficient promotion, limited exhibition at film festivals and eventually got buried in the archives.
Having its European premiere at 21st Far East Film Festival, 34 years after its completion, My Name Ain’t Suzie remains a film that fascinates on so many levels: as a work of a brilliant film auteur; as a sign of the shift in local cinema; as a feminist statement; as a cinematic image of Hong Kong in the past; as a critique of Orientalism and generalized representation of the Far East reproduced in Hollywood films.
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