While Eberhard's alto saxophone sound has absorbed both that of Coleman and Dolphy, she doesn't trade in nostalgia. Like fellow alto saxophonist Nick Mazzarella, she is on a continual mission to advance the music. Recorded in both a live and studio setting, the energy is ever apparent here as the trio traverses Eberhard's tricky and intricate compositions. The stumbling dance of "U11" conceals the compositions intricacy. Just when you might believe the wheels are about to come off, the trio swings a gotcha passage and rescues the listener. This faux-abandon is a prevalent theme here and only with an ultra-tight ensemble can these maneuvers be accomplished.