Year: 1966 Country: Soviet Union Director: Mikheil Kobakhidze Cast: Gia Avalishvili, Jana Petraitite, Ramaz Giorgobiani, Baadur Tsuladze IMBD: Link
Language : No Language
The original evolution of Georgian cinema was suppressed by the socialist realism that became the leading trend in Soviet art. Georgian cinema lived through this painful experience from 1930 to 1950, being turned into a part of the Stalinist propaganda machine.
In time, the iron curtain that isolated Georgia from the rest of the world started to weaken. The first crack showed during Khrushchev’s thaw in the 1950s. That did not mean that the Soviet propaganda was lessened or that one could speak freely, but there was a change of climate in Russian politics that extended the scope of societal and cultural liberties.
This new trend became noticeable in the Georgian cinema of the 1960s in terms of not only subjects open to discussion, but also to new styles and ways of thinking, which started to break free from the context of real socialism. Most importantly, the cinema moved on from the collective “us” to the individual “me,” exploring human inner life and looking for the unique, which used to be suppressed by political and social pressures.
A path slowly opened towards the creation of a new human being and new guiding values. Step by step, the cinema relieved itself of servicing social myths and focused more on human individuality.
Anxious about censorship, authors selected such genres as legend, myth, fairy tale, comedy, or tragicomedy, which gave them creative freedom and relieved them from political responsibility: The truth was passed in their movies in an allegorical fashion.
The main source of power of these films was their individualism and the unusual poetic form that has become a distinguishing mark of Georgian cinema.
In these films, remote from ideological, political, and social contexts, an individual awareness was liberated from the collective mind. Their narratives were poetic and the plots headed in various directions. The story told by each of the films was set in a mythical, timeless, or ahistorical world. Pieces of reality did not disturb the integrity or inner dynamics of the work. The arbitrariness of the fictitious world, the multitude of literary references, and the poetic narration turned into the distinguishing features of Georgian film art. The world of these films – metaphoric, symbolic, and unreal – was a specifically modeled microcosm. (Bartosz Wieczorek)
[ About file ]
Name: Umbrella.Mikheil Kobakhidze.1966.WEB-DL.mkv Date: Wed, 20 Mar 2024 23:01:30 +0200 Size: 662,678,991 bytes (631.979934 MiB)
[ Magic ]
File type: Matroska data File type: EBML file, creator matroska
[ Generic infos ]
Duration: 00:19:22 (1162.048 s) Container: matroska Production date: Wed, 20 Mar 2024 22:32:03 +0200 Total tracks: 2 Track nr. 1: video (V_MPEG4/ISO/AVC) {eng} Track nr. 2: audio (A_AAC) {geo} Muxing library: libebml v1.4.5 + libmatroska v1.7.1 Writing application: mkvmerge v82.0 ('I'm The President') 64-bit
[ Relevant data ]
Resolution: 1920 x 1080 Width: multiple of 32 Height: multiple of 8 Average DRF: 22.821823 Standard deviation: 4.774834 Std. dev. weighted mean: 4.449881
[ Video track ]
Codec ID: V_MPEG4/ISO/AVC Resolution: 1920 x 1080 Frame aspect ratio: 16:9 = 1.777778 Pixel aspect ratio: 1:1 = 1 Display aspect ratio: 16:9 = 1.777778 Framerate: 24 fps Stream size: 644,105,053 bytes (614.266446 MiB) Duration (bs): 00:19:22 (1161.999981 s) Bitrate (bs): 4434.458267 kbps Qf: 0.089105
[ Audio track ]
Codec ID: A_AAC Sampling frequency: 48000 Hz Channels: 2 Stream size: 18,211,471 bytes (17.367812 MiB) Bitstream type (bs): AAC LC (Low Complexity) Frames (bs): 54,471 Duration (bs): 00:19:22 (1162.048 s) Chunk-aligned (bs): Yes Bitrate (bs): 125.375 kbps VBR Sampling frequency (bs): 48000 Hz Mode (bs): 2: front-left, front-right
[ Video bitstream ]
Bitstream type: MPEG-4 Part 10 SPS id: 0 Profile: [email protected] Num ref frames: 4 Chroma format: YUV 4:2:0 PPS id: 0 (SPS: 0) Entropy coding type: CABAC Weighted prediction: P slices - explicit weighted prediction Weighted bipred idc: No 8x8dct: No Total frames: 27,888 Drop/delay frames: 0 Corrupt frames: 0
P-slices: 8317 ( 29.823 %) ###### B-slices: 18378 ( 65.899 %) ############# I-slices: 1193 ( 4.278 %) # SP-slices: 0 ( 0.000 %) SI-slices: 0 ( 0.000 %)
[ DRF analysis ]
average DRF: 22.821823 standard deviation: 4.774834 max DRF: 34
DRF<2: 0 ( 0.000 %) DRF=2: 40 ( 0.143 %) DRF=3: 2 ( 0.007 %) DRF=4: 11 ( 0.039 %) DRF=5: 23 ( 0.082 %) DRF=6: 56 ( 0.201 %) DRF=7: 43 ( 0.154 %) DRF=8: 71 ( 0.255 %) DRF=9: 109 ( 0.391 %) DRF=10: 224 ( 0.803 %) DRF=11: 375 ( 1.345 %) DRF=12: 440 ( 1.578 %) DRF=13: 389 ( 1.395 %) DRF=14: 297 ( 1.065 %) DRF=15: 254 ( 0.911 %) DRF=16: 279 ( 1.000 %) DRF=17: 446 ( 1.599 %) DRF=18: 748 ( 2.682 %) # DRF=19: 1198 ( 4.296 %) # DRF=20: 1513 ( 5.425 %) # DRF=21: 2031 ( 7.283 %) # DRF=22: 2618 ( 9.388 %) ## DRF=23: 2990 ( 10.721 %) ## DRF=24: 2834 ( 10.162 %) ## DRF=25: 2951 ( 10.582 %) ## DRF=26: 2436 ( 8.735 %) ## DRF=27: 2041 ( 7.319 %) # DRF=28: 1156 ( 4.145 %) # DRF=29: 845 ( 3.030 %) # DRF=30: 642 ( 2.302 %) DRF=31: 551 ( 1.976 %) DRF=32: 207 ( 0.742 %) DRF=33: 35 ( 0.126 %) DRF=34: 17 ( 0.061 %) DRF>34: 0 ( 0.000 %)
P-slices average DRF: 21.320669 P-slices std. deviation: 4.029854 P-slices max DRF: 32
B-slices average DRF: 23.885951 B-slices std. deviation: 4.639613 B-slices max DRF: 34
I-slices average DRF: 16.894384 I-slices std. deviation: 4.4553 I-slices max DRF: 28
This report was created by AVInaptic (01-11-2020) on 27-06-2024 16:48:10
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